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Tuesday, February 22, 2022
Filthy, belligerent and obnoxious, Midnight
make music to start fights to. Since 2003, one-man-band Athenar has
been churning out an ungodly racket, dropping countless demos, splits
and EPs, and in 2022 he returns with Midnight's
fifth full-length, Let There Be Witchery.
Delivering more of what can be expected from his demented mind, it is a
catchy mixture of black and speed metal and dirty punk rock, and it is
relentlessly compulsive. "I always want it to be loud and
nasty," he asserts. "That kinda thing never gets old with me.
How funny will that look to see me at age 77 - if I reach that point -
sitting on the porch blasting Hellhammer?"
Generically describing it as being "a Midnight record",
Athenar believes it would make a fine introduction into the warped
world he exists in for anyone new to the band, and he is not wrong,
possessing all of Midnight's trademarks,
amped up to eleven. The profoundly sinister d-beat romp
"Telepathic Nightmare" kicks things off unpleasantly, and
from there he slams through the likes of riot-starter "Nocturnal
Molestation", the Motad-esque "Let
There Be Sodomy" and loping bruiser "More Torment."
"I never really sit down and say, 'okay, now I'll start to make up
some jams' - they just get stockpiled. The tunes on this one started
coming around early 2019. Writing catchily comes naturally to me - if
something is difficult for me, I just don't do it, so it has to be
natural. I'm a person that says if at first you don't succeed, fuck it.
But yeah, catchiness and hooks are important to me." When asked if
there's anything on this record he has never done before, he has a
typically Athenar answer: "I used the term 'vulva flesh'. I can't
believe it took this many albums to get to that point. There's also the
tune 'Devil Virgin' which has the Mercyful Fate
disco hi-hat beat. That's something different." Guitar solos are
of course also an important factor in any Midnight record,
and Let There Be Witchery does not disappoint in
this department. "All the solos have been spontaneous since the
start of the band. I just give it a shot, then maybe stumble across a
theme, then try it again and again and again. That's the way I like
solos to sound, spontaneous yet have some sorta map in there to follow,
kinda like a methed up lunatic driving a car missing a wheel at top
speed down a curvy highway on his way to get more meth. It's not gonna
be pretty, but you know he'll find a way to get there somehow."
The title is a combination of the song titles "Let
There Be Sodomy" and "Szex Witchery", Athenar wanting to
maintain the tradition of using six syllables. Lyrically, the record is
"unfiltered savage animalisticness", and the deeper the
listener delves, the dirtier they get, which is just the way it should
be. When it came to tracking the record, Athenar returned to Mercenary
Studios in Cleveland, OH and producer Noah Buchanan, who makes it very
easy for him to cut loose and make noise, choosing to once again record
all the instruments himself despite having a live band that could step
in and help out. "It's still just me and my science project gone
awry. I realize I'm musically handicapped, but there's a charm to
it." The sessions went by fairly quickly, and there were no real
problems to navigate - it's after the tracking that things got a little
trickier. "The mixing process can take a bit more time because I
have no idea what I want until I hear it. I keep telling Noah, 'I want
it to sound like a mix of Raw Power and Apocalyptic
Raids!' Then he has to sit me down and say, 'those
records already exist, let's make it sound like Midnight.'
The most difficult part may be the vocals, just because I'm not usually
in vocal shape, although this time around I was kind of in shape
because we did so many gigs in 2019 that by the time it was recorded in
February 2020, my throat was still used to being tortured." With
artwork once again handled by William Lacey, who always wants to make
things suitably creepy, Athenar is very happy with that side of things
and content that the record will be shat into the world in the way that
it should be. Next comes touring, backed up by Commandor Vanik and
Secret Steel, "they're not a good live band, they're a great
live band! They are masters of their craft - those guys really hold it
all together. I'm just meandering around bashing away and
grunting." Mulling over the question as to why anyone should
actually give a shit about Midnight, he once again
comes up with a typically Athenar answer: "If I were to give
actual good advice, I would say stay clear of anything to do with Midnight.
But I'm not a rational thinker, so as usual, I will give terrible
advice and say punish your earholes and play this album as loud as your
stereo goes, go out to a gig and mingle with others that you don't
know, lick their faces and rub upon each other's sweaty torsos to the
hellish, neanderthalish noise of a band called Midnight!
You gotta release your demons somehow! That's why you should
give a shit, or two."