Album: Kings Of Mercia
Release Date: September
22, 2022
Bio by Dan Slessor
The
combination of big riffs, driving rhythms, thick yet lithe bass lines and rich
vocal melodies has made for some of the greatest music of all time, and in the
hands of Kings Of Mercia this recipe is intoxicating. Best
known as the founding guitarist for Fates Warning, but with countless other
projects under his belt - including Arch / Matheos and most recently Tuesday
The Sky - Jim Matheos is incapable of stifling his creativity. In early 2021,
he started working on the songs that would become Kings
Of Mercia’s self-titled debut album, bringing his distinct
style yet doing something a little different. “I started writing without any
real idea of what direction I wanted to go in or what I was going to do with
the material. The first few songs came together quickly and were a bit more
straightforward than I’m used to, and I really liked that idea, kind of going back to
my early heavy/hard rock roots.” Not having any pre-conceived ideas of what the
record should or would end up sounding like, at least early on, certainly
helped, “as did the fact that it’s our first record, so there was nothing to measure it against
or expectations to live up to, even if only in my own head.”
Churning out songs, Matheos’
next concern was to find the musicians who would help him realize the material,
and his first priority was a vocalist. Putting together a list of 30-40
contenders he contacted a handful but none of them worked out for various reasons,
and it was his friend Jeff Wagner who suggested
FM’s Steve Overland, and another friend, rock journalist Dave Ling,
who put them in touch with each other. “Jim had asked Dave for my
contact details, we talked about his idea for mixing the two styles, his
heavier background, with my melodic/bluesier direction,” says Overland. “We
decided to try a collaboration on one song and see how it worked, we came up
with the track “Humankind”, and we both loved it.” The combination of Matheos’
riffs and Overland’s vocals makes for perfect bedfellows, and the evident
chemistry belies the fact they have never met. “We both wrote on our own, me
completing songs instrumentally and then sending them to Steve who wrote the
lyrics and recorded the vocals on his own. But there was never a moment where
he said, ‘I don’t really like this part, or that song’, and likewise there was
never anything that he sent me where I thought, ‘Hmm, I’m not sure about that…’ Everything I sent to him he worked on as
is and everything he sent back to me ended up being final vocals, first
time around. So there wasn’t any of the usual ‘what if you try this instead?’ that I’m so
used to. That was really refreshing.” Having already settled on this hard
rock direction, it was only once Matheos got the first couple of songs back
from Overland that it became all the way clear of the shape the record would
take, with the vocalist sending over his parts every few weeks, everything
gradually coming together. “I think “Humankind” set a precedent for the way the album would go,” says
Overland. “It’s a
heavy anthemic track, but it’s hooky and has melody. Although the songs all have their own
identity, I think they are all very powerful. Lyrically, it’s very varied, and
there is a different subject matter and story in every song, so there’s no
concept or thread that runs throughout the album.”
Behind the kit for the record
is the legendary Simon Phillips (ex-Toto, Derek Sherinian), one of Matheos’
favorite drummers. “I decided to contact him on a whim, not really expecting
that he’d be
available or interested in this project. But, to my surprise, he liked the
music and was able to fit some recording into his schedule. It’s an
honor to share a credit with him and I couldn’t be happier with what he added to the record.” Rounding out the
group is bassist Joey Vera - Matheos’ Fates Warning bandmate - who brings his
trademark style and professionalism to the table. “My old friend and co-worker
Joey Vera was a natural choice for bass. Not only did I know he would deliver
performance-wise, but it was nice to have a familiar face among the new
personalities.” With these players involved it was an easy, stress-free process
throughout, making music for the love of it, and coming up with something that
sounds familiar yet new, expanding the repertoire of all involved. This means
songs like the half-acoustic ballad, half-swaggering “Too Far Gone” or the
beautiful “Everyday Angels”, and the soaring “Wrecking Ball”, which opens the
record on a high note, all brought to life in dynamic style.
The hardest part of the whole
process was coming up with a name for the band. “We didn’t want to go with Matheos / Overland, or Overland / Matheos,
etc, and Steve and I probably batted around 50 ideas before settling on Kings
Of Mercia. It’s pretty much the only one we both liked. There’s no
specific meaning or message behind it.” It made sense to self-title the record
due to it being the band’s debut, and given how much life there is in the songs
it would not be surprising if it did not become the first of many, the
combination of those involved creating something special, and with Matheos’
permanent creative hunger you may well be hearing a lot more from Kings
Of Mercia.
LINE-UP:
Jim MATHEOS - Guitars
Steve OVERLAND - Vocals
Simon PHILLIPS - Drums
Joey VERA – Bass
Kings of Mercia TRACK-LISTING:
Wrecking BallHumankindSweet RevengeSet the World on FireToo Far GoneLiberate MeNowhere ManEveryday AngelsIs It Right?Your Life
ONLINE: http://www.metalblade.com/kingsofmercia
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